This piece is the second in a series on the theme of leaves, which I mostly produced to test the Fudebiyori pens I acquired recently. This one was a lot of work to create, especially as I had to go over most of the white lines twice (and then do the typical back-and-forth cleanup), however I think the end results are solid. I really like the Black Black paper – It’s amazingly uniform in color, especially compared to the Strathmore, which is one of the reasons I left bits of it showing through. I also minimized over-use of the colored pens on this one, to try to preserve more of the sheen of the metallic additives in the ink; that was largely successful. I still haven’t gotten the time to set up high-quality photos of my work with truly accurate colors the way I’d like, but I’m hoping to get that issue resolved soon.
I finally got a chance to do more art! Since I took a position last fall as a consultant for Improving, my evenings have been almost entirely occupied with user’s group meetings and technical events, which has severely constrained my drawing time. My apologies that the blog has gotten stale as a result.
This was a piece I did to test my new Fudebiyori pens that I picked up at the Art Supply Depō last weekend. The title is Leaves I, because I’m planning on doing a conceptually similar piece on a bigger, blacker piece of paper next. I learned a few lessons that will help with the next one. For example, using multiple coats of the Fudebiyori makes the color more intense, but takes the shine out of the ink (I’m guessing that the mica particles, which is what’s usually in these things that’s responsible for the metal-like sheen, sink to the bottom layer, but I don’t have a microscope for a closer look.) And the Uniball ink will melt some of the Fudebiyori colors, which makes it surprisingly hard to maintain the integrity of the white border lines. Overall, though, I think this one is technically decent and has a good balance of colors. I also suspect it will look really snappy once it’s framed, which I intend to do.
This is one of my older pieces, but it’s still one of my favorites. I’m very pleased with how the color balance came out, and the dark blue curves from the Glaze pen really set off the shapes made with Metallic and Stardust beautifully. It was a lot of work, but well worth the effort.
This piece is a personal favorite, and was a surprising amount of work. It was inspired by the unique look that the Glaze pens give to paper – The ink sits on top of the page, giving it a glossy, glass-like appearance. This makes the resemblance to stained glass really striking in person.