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Art Pen and Ink Sold

Black Panther

Black Panther. Micron Pens on Strathmore 300 Series Bristol Paper. 12" x 12"
Black Panther. Micron Pens on Strathmore 300 Series Bristol Paper. 12″ x 12″ framed. $550 SOLD

This is a piece I was honored to have been invited to create for the Undisclosed 2018 Art Show, a fundraiser to benefit the Toledo School for the Arts. TSA is a non-profit charter institution based in the heart of downtown Toledo that provides a rigorous scholarly curriculum within the context of an arts-intensive environment, and Undisclosed is an annual event that regularly raises over $10,000 for the school. (Disclosure: My daughter is a student.)

The unifying theme from which this piece draws its name is a celebration of the explosion of African American influence on the mainstream pop-culture of America denoted by the release of the film earlier this year. I’m thrilled with many aspects of the end result, notably the depiction of the Black Panther costume; Wakanda as it appeared in one of the original comics; and the roaring panther. I’m also especially happy with some of the abstract elements, such as the five-pointed star-like shape near the bottom, and the factory/tree combination that’s a passing nod to the intricate relationship between our work and our world. The leafy structures near the center are a depiction of the leaves of the Umbrella Thorn Acacia, a plant that’s native to the African savannah in which the mythical nation of Wakanda is placed. (If I’d had more time, I might have spent some extra effort sharpening those up a bit.) It was also great fun creating the ‘Wham! Pow! Oof! Bang!’ bubble, especially considering how often I saw those in the TV shows of my youth.

The sharp-eyed viewer will notice this piece is not signed! That’s by design, in accordance with the rules of the show. The event attendees get to choose pieces without knowing by whom they were created until their selections are made and they can see the rear of the piece. Another subtlety is this piece is mounted to a wooden base which allows it to be hung any-side-up, at the discretion of the owner.

Categories
Art Color For Sale Pen and Ink

Leaves II

Leaves I. Zig Fudebiyori Metallic and Uni-Ball Signo pens on Fabriano Black Black drawing paper. 8" x 8"
Leaves II. Zig Fudebiyori Metallic and Uni-Ball Signo pens on Fabriano Black Black drawing paper. 8″ x 8″ unframed. $240

This piece is the second in a series on the theme of leaves, which I mostly produced to test the Fudebiyori pens I acquired recently. This one was a lot of work to create, especially as I had to go over most of the white lines twice (and then do the typical back-and-forth cleanup), however I think the end results are solid. I really like the Black Black paper – It’s amazingly uniform in color, especially compared to the Strathmore, which is one of the reasons I left bits of it showing through. I also minimized over-use of the colored pens on this one, to try to preserve more of the sheen of the metallic additives in the ink; that was largely successful. I still haven’t gotten the time to set up high-quality photos of my work with truly accurate colors the way I’d like, but I’m hoping to get that issue resolved soon.

Categories
Art Color For Sale Pen and Ink

Leaves I

Leaves I. Zig Fudebiyori Metallic and Uniball Signo Broad pens on Strathmore 400 Series Black Artist Tile. 6" x 6"
Leaves I. Zig Fudebiyori Metallic and Uniball Signo Broad pens on Strathmore 400 Series Black Artist Tile. 6″ x 6″ unframed. $180

I finally got a chance to do more art! Since I took a position last fall as a consultant for Improving, my evenings have been almost entirely occupied with user’s group meetings and technical events, which has severely constrained my drawing time. My apologies that the blog has gotten stale as a result.

This was a piece I did to test my new Fudebiyori pens that I picked up at the Art Supply Depō last weekend. The title is Leaves I, because I’m planning on doing a conceptually similar piece on a bigger, blacker piece of paper next. I learned a few lessons that will help with the next one. For example, using multiple coats of the Fudebiyori makes the color more intense, but takes the shine out of the ink (I’m guessing that the mica particles, which is what’s usually in these things that’s responsible for the metal-like sheen, sink to the bottom layer, but I don’t have a microscope for a closer look.) And the Uniball ink will melt some of the Fudebiyori colors, which makes it surprisingly hard to maintain the integrity of the white border lines. Overall, though, I think this one is technically decent and has a good balance of colors. I also suspect it will look really snappy once it’s framed, which I intend to do.